The first remix comes from Maxi Iborquiza. His remix contains a bouncing bassline and some crispy clear percussion elements. Maxi tweaked the original samples to build a rather cool track in his own unique style. Halfway the break some new syntlines are being introduce which makes this remix even more darker then the original.

The second remix comes from Stefan DJordjevic. His tribal approach surely hits the right spot. This remix is just made for one thing and that’s dancing your ass off. Dark as pure Swiss choclate this dark tribal remix shows you every corner of the dancefloor and turns your audiospeakers into a smokemachine.

The last remix comes from Jaap Ligthart. Perhaps this remix is one of Jaap’s best one to date. From the first note to the last this remix rock s! Jaap managed to blend together a few percussionloops in a superb way to create a rocksolid flow. When the heavy weight deep bellsound drops in and the light weight appreggio sound hits your soul, then you know that there is simply no way to escape. You are caught in a groove. A peaktime hour sureshot.

The first remixes comes from another Hungarian veteran called Kay-D. His remix contains a majestic groove and a couple of long fazed out pads and synthlayers. On top the fragile melodylines of the original track does the rest. 

The Alfoa Fairy Breaksmix is proggy breaks heaven in a more subtle way.  Once again the combination of  a rather slick and very well programmed groove combined with the fragile melodylines of the original is the key for a gorgeous remix.

The Loquai Breaks Mix is also proggy breaks heaven in a different way. A deep growling bassline and a haunting breakbeat is all you need for a track with balls.  Also here the contrast with the eerie soundscapes is causing goosebumps.

The other remix by Loquai contains a heavy weight groove and some rather crispy percussion. This remix is a very solid and warm afterhour track for those cold long winternights.

Stukot is nice and deep breakbeat bassed track. It contains a fragile atmosphere with a great depth in sound.  

Daremny is very cool but yet emotional track with a catchy and very recognisable intro followed up by a juicy bassline. Along the track some very nice elements are finding it’s place like a gorgeous synstab and a very soothing melody.  

Buzz is a really great track. It contains a solid guitarlead and a Bassline that is just slick and really smooth. Buzz is a very hypnotic track that just builds and builds. A straight ace that works for sure.

The first track is called Communication. The track kicks of with a firm kickdrum and percussionstructure. When the demanding and pumping bassline drops in you realize that there is no escape. This track justs goes on and on towards a breathtaking break where a gorgeous melody is taking over the energy. Then when it all comes back together the energy returns and  hits you even harder. A peaktime hour track.

The second track is called Synchronization. Also here a firm beat and percussionstructure is the backbone for a big and anticipating ride. A bold but yet hollow bassline is chugging and dragging you into exstacy. Combined with a couple of swirling arps, eerie pads and a handfull of great  sound fx’s this haunting track does it’s job in a proper and straight way. Dancefloor madness.

The remix comes from Hungarian talent Deriwer. He managed to keep the original groove alive but he added some more refined mellow elements to his remix. This makes the track more suitable for a warm up set.

The second Original is called ID. ID is another no-nonsense track with a heavy weight bassline that does the job here. Together with some simple but effective synthstabs this is just a steamy track.

The remix comes again from Deriwer. Again he refines the raw sound of the Original by adding some more mellow ingredients and a more distinctive bassline. A great warming up tune.

The remix of Walking Backwards has been done by Spanish men of the moment Franzis-D. His remix contaiis build upon a steady pumping kickdrum which he combined with some good old oldschool percussionloops.  Also this remix captures that trippy and hypnotic feeling of the Original.

The Original of Cyber Girl is way beyond imagination. Erdi shows his talent here for creating weird dark and spooky soundscapes. Once these soundscapes are combined with beats and percussion they are really come alive. Then when the really catchy spacy hookline hits the fan this track rocketeers into the sky.

The remix of Cyber Girl comes from Stefan DJordjevic. He makes his debut on LuPS and how. His remix just sneaks into your mind , body and soul without notifying it. A fingerlicking groove with very well programmed percussion does the job here. When the demanding bassline drops in the whole track really takes off. Of course also in this remix the spacey hookline is the main catchy element. This remix is a sure shot!!

The 1st remix comes from talented Russian producer Bob Fanzidon. His remix is more Tech House orientated and contains a steady pounding groove with a rocking bassline and some cool fx’s. On top the leadline of the Original does it’s work again. Another great setbuilder.

The 2nd remix comes from Erdi Irmak. This fast upcoming producer from Turkey shows how to remix a track to make it even more appealing. This remix is just one piece of sucking and chugging stuff. Slick and very well programmed percussion and a gritty bassline are creating a cavernous groove with an undeniable dancefloor touch. Combined with bigroom sunthstabs you simply can’t go wrong. A sure shot.

The last remix comes from recently discovered Russian producer Satiny. This remix contains a very well programmed groove. On top you’ll find the typical Satiny trancy elements like eerie pads, swells, synthstabs and organs. They all takes you back to the early days of Trance. Without a doubt this remix is one of Satiny’s best works to date.

The Original of Galatea is a steady pumping track with a demanding bassline and some techy synthstabs and crispy percussion and bubbling arps. This is a perfect warming up setbuilder.

The remix of Galatea has been done by upcoming Dutch production duo Analag Effect. Their remix is slick, dark, smooth and creamy. A typical Analog Effect groove leads and shows you the way. On top of this rocksolid groove a very well reverbed and spaced out synthstab has  been placed. Together with all the catchy fx’s and very well programmed percussion this remix is ready to warm up your audience it the right way.

The other Original is called Shadow Caster. Again Aber shows his talent to produce a solid warming up tune. Once again a steady pumping groove and a demanding pitchshifting bassline ar doing the job here. On top a moody arped synthline is the guiding light towards the break where some nice fx’s has been added. By far this is a production to truly get lost in and one of those ideal set closing tracks.

The remix has been done by Brazilian talent Tropical Highligth. His remix is a more moody and latin re-interpretation that somehow reminds on the early days of dance music when Hazme Sonar – Sueno Latino was hot and steamy. A sure shot for those late night afterhours.

Virage contains a soft hypnotic vibe and  is the perfect warming up tune or afterparty track.  Waves of eerie pads and synthlines pulsating with an undeniable momentum towards the break where some weird female vox fx’s are dropping in. After the breakdown everything gets back together to create a dreamy atmosphere that doesn’t let you go.

The 1st remix of Virage comes from Maxi Iborquiza. This remix is old-school to the max. A big bassline and some crispy percussion does the job. To top it in style you’ll find those famous synthstabs and old-school piano sound. If you wouldn’t know better you truly would believe that this remix has been made in the early 90′s.

The 2nd remix comes from labelowner Jacco@Work. His reinterpretation contains those acidic elements and disturbed which his sound is familair with. Upon a bouncing groove the result here is a mesmerizing, dreamy acidic track that just does the job well in a warm up set.

The 3rd remix coems from Romanian producer ManGroove. What he has done to the Original is simply amazing.  This remix is instant hands in the air from the first note. A dirty electro bassline a fistfull of tight programmed percussion, a catchy syntstab and a female vocalsnippet is all you need for a peaktime floorfiller. Success garanteed.

The other Original from Sjoerd is called Kennis. He delivers a warm and deep progressive house track which contains moody melodies, soaring synths and an epic breakdown which create an emotive atmosphere.

The only remix of Kennis coems from Russian producer MISHAlekseev. His remix is a monster in disguise. This is dark progressive breaks to the max that for sure should bring up memories of many great breaks productions from the glory days of the progressive sound. The big sweeping bassline eerie synths and bubbling  lines are epic and goosebumping  to say the least.

The final track of this EP is a Jacco@Work rework of a previous released track of Sjoerd Korsuize called Gloom. The Rework is close to the Original version but contains a the complete new beatstructure and new percussive elements which give the track a steady flow and vibe.

The Original of Skyview is a true type Progressive Trance track with a rather catchy hookline that will stuck into your head. Bassed upon the Wav-E trademark sounds like a steady pounding kickdrum and a warm bassline this track makes you feel good and happy. A sure shot track when you want to please the women on the dancefloor.

The first remix comes from Dutch producer Sjoerd Korsuize. He took things really seriously with his remix and shows up with a downtempo remix with a fingerlicking bassline and slick percussion. This the perfect lazy sunday afternoon track.

The second remix comes from Kris Brown. This strong remix just rocks your pants off. A steady kickdrum and an arpped bassline with tight percussion is showing you the way towards a goosebumping breakdown with a huge build up. After the break it all starts over again. A sure shot.

To put the icing on the cake F-act shows up with an airtight remix of Skyview. A remix like only F-act can deliver them. Everything is in the right position here. Once again a majestic groove with silky layers of sounds and a couple of great fx’s is all what is necessary to give you the perfect feeling for a great night out. Peaktime hour track.

Shame On You is just one hell of a ride. Crispy beats all over the place. Driving percussion, eerie synthlines and a handfull of catchy syntstabs and fx’s is all you need to drive a dancefloor crazy. The energy of this track is simply amazing.

The first remix of Shame On You comes from UK producer Kris Brown. He also managed to create a steady pounding groove with a growling bassline. Halfway the track during the breakdown a more then goosebumping guitar riff is hitting the van and then everything turn really off. A sure shot for those peaktime hours.

The second remix comes from recently discovered talent Hector Sawiak. What he has done with his remix is simply out of this world. His remix kicks off with a huge groove that is so tight and catchy that it simply grabs your attention and doesn’t let it go for at least 8 minutes. On top of this majestic groove, Hector laid down a couple of very emotional syntlines and soundfx’s, which are soulpiercing and tearjerking. Without a doubt this remix of Shame Of you is one of LuPS best releases to date and it is hard to believe that Hector only has had 5 releases so far.

The other Original track by Aggressor is called Outnumbered. Once again this is a true type Aggressor track. Haunting synthlines and trancy arpreggios are combined with hyperactive percussion and a dirty bassline. This track rocks off your wallpaper for sure.

The first 2 remixes are done Satiny. A new rookie from Russia. His remix is more old-school bassed with short synthstabs and clubby groove.

The second remix comes from Faze Out aka Phasebase. Hailing from Tallinn Estonia he comes up with a rather catchy yet slighty commercial remix. A big pounding kickdrum shows the way. Together with some well programmed white noise lines and a classic hands in the air you simply can’t go wrong with this peaktime hour track. Tested and approved.

The Original of Illusion is a deep and yet slightly minimal dark grooving track with a resonating bassline and crsipy percussion. This  track creats a sleazy vibe on the dancefloor

The remix of Illusion comes from ManGroove. This Romania producer is in a perfect shape lately and he delivers a strong remix with a more then decent groove and vibe. Somehow close to the Original version ManGroove managed it to give his remix a superb twist.

The other Original track called Sunset is a super deep, tough dancefloor gem with a big deep pounding sythstab that puts you into a state of trance. On top a male vocalsnippet tops it of. If this track doesn’t make you move then there must be something seriously wrong with your senses. This is the perfect track for building up those warm up moments.

The remix of Sunset has been done by Dutchman Jaap Ligthart. This remix is slick as hell and contains a dope bassline and a great steady flow. It just keeps on pumping and chugging.